Season 4 · What we carried
Chris’s gear.
Every camera, lens, mic, light and bag that went to Iceland, the Faroes, the Smokies, Ladder Reserve, Necker and the BVI. Real settings pulled from the files.
Gear
What’s in Chris’s bag.
Tap anything to see the specs, why it's in the bag, and the Season 4 frames it made.
Season 4 · In the field
Six places. Real settings.
The frames from this season, straight from the camera files. Every one links back to its episode.
The crew shoots the motion, so these are Chris and Paul’s stills from the same days on location.
Moss pyramids in the southern highlands, braided glacial rivers from the air, ice on black sand at Diamond Beach.
Lemurs, flamingos, scarlet ibis and giant tortoises on a private island in the British Virgin Islands.
Fog on Sparks Lane, misty ridgelines at sunrise, oaks and deer in Cades Cove.
Storm light over desert ridges, a moonrise, and elk in high-key light.
Drangarnir arch, Gásadalur falls, grass-roof houses, sheep portraits, and a church at night.
The Baths at Virgin Gorda: cave pools, boulders at sunset, long exposures, and underwater coral.
No frames for this selection yet.
Want your own frames on the wall? Print them with Mpix, the official print lab of View Finders.mpix.com →Partners
The partners behind the gear.
Exclusive lens partner
Every still and every frame of video this season went through SIGMA glass, from the 16-28 Contemporary to the 60-600 Sports, plus the new autofocus cine zooms.
sigmaphoto.com →
Bags, since season one
The Tilopa and the AJNA have carried this show through four seasons of airports, trails, boats and weather. They still zip.
fstopgear.com →Official print lab
The official print lab of View Finders. Photo prints, canvas, metal and frames, made to order from your own files.
mpix.com →Range
Fourteen to six hundred.
Every Season 4 frame plotted at the focal length it was shot. Each dot is a real photo. Tap or hover one.